Pacoima Public Art - Samantha Fausto
Pacoima Public Art - "Mural Mile", Van Nuys Boulevard
The neighborhood I selected for my civil engagement project is Pacoima. Comprised of a predominantly Latino community with deep cultural roots, the art within the area shares a variety of outlooks and values within the community. My project focuses on Pacoima’s mural mile, which showcases murals along Van Nuys Boulevard. The mural mile is easily accessible, both on foot and by vehicle.
PHASE 2: FIELD WORK
Location: 13180 Van Nuys Blvd, Pacoima, CA 91331, on the side of Lidia’s Beauty Salon
Location: 13161 Van Nuys Blvd, Pacoima, CA 91331, on the side of Stylesville Barbershop
Location: 13433 Van Nuys Blvd, Pacoima, CA 91331, on the side of the Artesanías Típicas Mexicanas building
R&R Auto Sound
Bobo
Pacoima Beautiful
Artesianias Miexicanos
Heather, dear.
Richard the Mailman
Raymundo Medrano
Efrain & the skaters
Javier Martinez
iamsanfernando.com
Mama Hayes
Rafael Serrano”
Location: 12959 Van Nuys Blvd, Pacoima, CA 91331, on the side of a building near the corner of Tamarack Ave
Location: 13043 Van Nuys Blvd, Pacoima, CA 91331, on the side of a building near the corner of Tamarack Ave
PHASE 3: CRITICAL ANALYSIS
In my opinion, the art in Pacoima’s mural mile accurately represents the community in which they are created. Pacoima, a predominantly Latino neighborhood, is surrounded by art that showcases Hispanic icons, religious beliefs, and the detailed history of Hispanic culture. A vast majority of murals tell the success stories of influential figures. For example, while visiting the mural mile, you will see artworks of La Virgen, Danny Trejo, Vicent Fernandez, Frida, and more. Aside from the artworks that depict important individuals, other murals highlight everyday Hispanic people, who represent the community and its culture. Along with this, the Pacoima Mural Mile pays honor to Pacoima natives, its indigenous roots, and the lives of individuals like Gabriel Fernandez, a young Hispanic boy whose tragic death from child abuse heavily impacted the community.
There are a couple of different approaches when it comes to funding and deciding the art in Pacoima. Some murals, like the Gabriel Fernandez mural, are created in collaboration with organizations that fund and support artwork that raises awareness on important social and political issues. Like the Gabriel Fernandez mural, they can also be registered with the Los Angeles Department of Cultural Affairs, a city agency responsible for supporting and promoting artworks across Los Angeles. On the contrary, many murals are funded by the artists themselves. Levi Ponce, the artist of the Danny Trejo mural, and more in Pacoima, funds his projects himself, which includes covering labor and materials. Lastly, some murals heavily rely on community support and fundraising. A good example of this is the “A Womyn’s Place Is in the Struggle” mural, which was made in collaboration with a collective of female artists, thanks to the community and their donations.
Along with the beautiful murals displayed along Van Nuys Boulevard, there is a large quantity of street art that goes unnoticed. Big in size and visible from afar, the murals are hard to miss, but the streets surrounding Van Nuys Boulevard are also filled with art. In the residential area of Pacoima, there is a wide variety of beautiful and vibrant graffiti. Oftentimes, stretching along the entirety of a street, the graffiti showcases the interests of the community. The street art ranges from things like Dragon Ball, Milk and Mocha, La Virgencita, and more colorful and fun designs. Though unfortunate that they are not equally recognized as the murals, the graffiti art is just as impressive. Another great thing about the graffiti is that it is mainly the community that organizes where it is placed and how it is funded.
The artworks in Pacoima are in pristine condition. Many of the murals that I have chosen to showcase have suffered little to no vandalism. Those that have often included a change to the initial meaning. Though many of them are clean and bright in color, they are in no means perfect condition. As the years progressed, the corners of the murals began to chip, and the markings of the artist's name washed away. Most of the murals have experienced natural deterioration, rather than human-inflicted damage.
PHASE 4: PROPOSAL
The reason I chose to highlight Pacoima in my civic engagement project is because of my personal connection to the neighborhood. Though it is not where I grew up, I have always held Pacoima close to my heart. As a Mexican-American, I take pride in my cultural roots and enjoy surrounding myself with communities that celebrate cultural diversity, and more specifically, Hispanic heritage. Visiting Pacoima brings me a sense of pride and belonging. The art reflects the stories of people the Latino community admires, as well as our interests and beliefs. Whether it be a Dragon Ball Z mural or a Mural of La Virgen, the art represents our people, allowing us to feel seen.
I thoroughly enjoy that the artworks in Pacoima accurately represent the community that they are in. When I initially visited Pacoima to photograph the murals, I noticed that many of them were well-maintained, vibrant in color, and free of vandalism. I believe that this demonstrates that the art is of importance to the community and well-respected. I also really like how the murals cater to the predominantly Latino community. I think it’s beautiful that the art highlights the minorities in its community and surrounds them with figures that they look up to. A vast majority of these murals depict Latino figures and their success stories. It’s important that the community acknowledges the success of individuals similar to themselves, so that they feel encouraged to dream and motivated to try something new. I was also pleasantly surprised that there was a mural dedicated to the neighborhood’s Indigenous roots. More often than not, indigenous history is overlooked or erased. I was reminded that public art is more than a painting, it’s a form of preserving important histories. Large in size and hard to miss, the murals can be seen while driving by or on foot. Visiting the mural mile, you are bound to find a piece that speaks to you.
Though I loved visiting the mural mile, I did find it difficult to fully capture and enjoy certain pieces because they were hard to access. Most murals are on the exterior walls of buildings, which are easily accessible and free for everyone to enjoy. However, some murals are painted on the back of buildings that are only accessible through the parking lot, which isn’t always open to the public. I found myself struggling to photograph the Danny Trejo and Decolonized mural for this reason, which is something that I find a little disheartening. Aside from that minor detail, I wouldn’t say there was much else that I disliked.
While I loved the Latino-inspired murals, I acknowledge that there is room to include other cultural perspectives. I think that it would be beautiful to bring a variety of different cultures together, to be depicted in one big mural or even smaller individual murals. I would also like to see a variety of different artists working on the pieces in Pacoima, especially local artists. Though the mural mile showcases multiple beautiful pieces of artwork from some of the same muralists, I would encourage other artists to come forward and share their work. Another thing I would like to see is more murals like the Gabriel Fernandez mural. The Gabriel Fernandez mural not only advocates for child abuse victims, but it also acts as a place of gathering, where the community comes together to celebrate his life. Murals made in collaboration with organizations that advocate for human rights and other social issues should be common, especially in an area that is surrounded by art. As for where I’d like to see future art pieces, I think the main roads would be perfect. A lot of the murals at mural mile are already on the exterior of walls, however, they are often on the side or back of buildings. I think Pacoima would become much more of a tourist neighborhood if the art were more front and center. To see most murals, you have to turn on a certain street, which isn’t necessarily bad, but could still be improved









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